From releasing on some of dance music's most notable labels to tearing apart festivals across the world pre-covid: Bruce is one of the UK’s most loved and respected artists for very good reason. After half a decade of musical offerings, he has built a name known for his intricate rhythmical releases that notoriously bend and develop the sonics of techno, and push the genre into new experimental realms with playful elegance.
Jossy Mitsu is a force to be reckoned with. From her mind-bending skills as a DJ, consistently incredible shows on her Rinse FM residency, and her ability to churn out a plethora of dark and intelligent music productions; she is likely to be your favourite artist’s favourite artist, presuming they have taste.
If you have been lucky enough to catch London-based selector Syreeta pre-lockdown, you will know that their punchy high powered 4/4 sets have enough energy to fill a room with pure joy and then some.
Malcolm (Producer, DJ, and Global Warming Records label boss) takes over curation this week for Origins Selects. Recently relocating from Paris to the lively world of East London, it is clear that Malcolm is one to look out for as the music world slowly but surely re-opens.
Melle Brown, is a London based DJ, producer and radio presenter whose star is on the rise. ‘Intersection’ their debut EP on Future Bounce was a great success and earned them accolades across contemporary/electronic dance spaces and international radio play.
Manami, the Japanese now UK based rising star steps in for our next edition of Origins Selects.
French favourite Nathan Melja, fresh off his incredible release on Kalahari Oyster Cult (Synesthesia), picks some his favourite tracks for Origins Selects.
Post punk, techno selector Miley Serious sheds light on Paris’s new underground movement.
Simmering within the overcrowded Berlin circuit there’s a name that has continually caught our eye, not due to their festive reference, but the refined style of electro, techno and house they continue to champion in a city defined by its brutalist ‘musical architecture’.